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Christian Tomaszewski, Labor 1, Image c. 2007 Kunstforum Ostdeutsche Galerie, Regensburg and the artist, Photo: Georg Tassev
SculptureCenter and
the Polish Cultural Institute

Christian Tomaszewski
the artist's first major solo exhibition in NYC

Sunday, April 29, 2007 - Sunday, July 29, 2007
Opening reception: Sun., April 29, 4-6PM

44-19 Purves Street, Long Island City, NY
Admission: $5 suggested donation,  Tel: 718.361.1750, Directions: E, V to 23rd/Ely; G to Court Sq.; 7 to Courthouse Sq.
Hours: Thu.-Mon.: 11-6 PM

Since 2004, Christian Tomaszewski has been plunging into the entrails of David Lynch's cult classic Blue Velvet (1986). Tomaszewski has been meticulously reconstructing parts of the film in real space: exploring the ability of architectural fragments to convey dramatic narrative. Tomaszewski is fascinated by the challenge of superimposing one space and structure onto another: the first, artificially woven together through film editing; the second, a totalizing structure defined by the walls and activities of the exhibition space. Both sets of conventions dissolve in their collision, leading to a third reality, which is a thematic structure in itself.

On Chapels, Caves and Erotic Misery also alludes to Kurt Schwitters' Merzbau and the inexhaustible process of its re-creation. The installation keeps growing and changing with each exhibition and venue. Tomaszewski initiated this project with Luxe Gallery in New York City in 2004 and continued to develop it with Gallery Atlas Sztuki in Lodz, Poland in 2005. A full installation was recently shown at Kunstsammlungen Chemnitz in Germany in 2006, and at Kunstforum Ostdeutsche Galerie Regensburg in Germany (2007). Tomaszewski evolves and reorganizes the project with each presentation so that each exhibition creates a new, total environment. Completely transforming the lower level of SculptureCenter, Tomaszewski will develop and present the culminating rendition of On Chapels, Caves and Erotic Misery this summer.

On Chapels, Caves and Erotic Misery is made possible in part by Christopher E. Vroom and the Polish Cultural Institute. Christian Tomaszewski's project is presented through SculptureCenter's Artist-in-Residence program, funded by grants from The Kraus Family Foundation, The Milton and Sally Avery Arts Foundation, and the National Endowment for the Arts.

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