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Zofia Kulik, The Textile Duplicate of the Marble Copy (of Moses statue by Michelangelo), sculpture, 1970/71/72

Born 1947 in Wroclaw, she graduated from the Warsaw Academy of Fine Arts, Sculpture Department, in 1971. That year, she and Przemyslaw Kwiek, who had graduated from the same studio at the Academy in 1970, formed an artistic duet they called Kwiekulik, and organized and operated in a private apartment, from their own funds, a so-called Independent Studio for Activities, Documentation and Propagation. Since 1987 she has been working individually, mainly on multiple-exposure black and white photographs, and also on installations, objects, video, and color photographs.

The list of her exhibitions after 1989 includes: Visual Idioms of the Soc-Ages, Mala Galeria, Warsaw (1989) and Postmasters Gallery, New York (1990); The Human Motif, Galeria Grodzka BWA, Lublin (1990); The Inter-National Gothic, Center for Contemporary Art, Warsaw (1990); The Human Motif II, Wyspa Gallery, Gdansk (1991); All The Missiles Are One Missile, State Gallery, Sopot (1993); Symbolic Weapon, Kunst und Raum, Vienna, Austria, Zacheta Gallery, Warsaw (1993); Still Ma', Lombard-Fried Fine Arts, New York (1995); The Human Motif III, Copper Gallery, Duncan of Jordanstone College, Dundee, Scotland (1995); Symbolic Weapon IV, Polish Pavilion, XLVII Venice Biennale, Venice, Italy (1997); The Human Motif I, National Gallery, Prague, Czech Republic (1998); From Siberia to Cyberia, National Museum, Poznan (1999).

Since 1989 she has also participated in numerous group exhibitions, including: Pole, German, Russian, the former factory of Norblin, Warsaw (1989); Bakunin In Dresden: Polish Art Today, Kunstpalast, Düsseldorf (1990); Art and Censorship and Xerox, Kampagelfabrik, Hamburg (1990); Sorcerers And Mystics, Center for Contemporary Art, Warsaw (1991); Double Identity: Polish Art at the Beginning of the 90's, Landesmuseum, Wiesbaden, Germany (1991); Polish Women Artists, National Museum, Warsaw (1991); New Spaces Of Photography, Museum of Architecture, Wroclaw (1991); Voices of Freedom: Polish Women Artists and the Avant-Garde, National Museum of Women in the Arts, Washington D.C. (1991); Wanderlieder, Stedelijk Museum, Amsterdam (1991-1992); Collective Memory, Rauma Biennale Balticum, Rauma, Finland (1992); Polish Contemporary Art, E.S.P.A.C.E. Peiresc, Toulon (1992); Presence II', Arsenal Gallery, Poznan (1992); Dark Décor, touring Exhibition Organized By Independent Curators Incorporated (1992-1993); Another Continent, Tokyo Metropolitan Museum of Photography, Tokyo (1994); Europe, Europe: The Century Of The Avant-Garde In Central and Eastern Europe, Kunst und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (1994); The Rift in the Room: Positions of Art Since 1945 in Germany, Poland, Slovakia, and the Czech Republic, Martin-Gropius-Bau, Berlin (1994); '95 Kwangju Biennale, Kwangju, Korea (1995); Pushing Image Paradigms, Portland Institute for Contemporary Art (1996); Woman About Woman, Bielska Gallery, Bielsko-Biala (1996); 100 Photographs From The Collection, Stedelijk Museum, Amsterdam (1996); New Histories, Institute of Contemporary Art, Boston (1996-1997); Art From Poland 1945-1995, Mucsarnok Gallery, Budapest (1997); Body and the East: From the 1960s to the Present, Moderna Galerija Ljubljana, Slovenija (1998); The Promise Of Photography, Centre National de la Photographie, Paris (1999); After the Wall, Moderna Museet, Stockholm, Sweden (1999); East Wing Collection 1999, Courtauld Institute Of Art, London (1999); 50 Years Of Central European Art 1949-1999, Museum Moderner Kunst, Vienna (1999); L'autre Moitie de l'Europe (Social Reality / Existence / Politics), Jeu de Paume, Paris (2000). (When a country is not indicated, the event was in Poland.)
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