Kenny Lattimore Becomes Fearless and the Harlem Arts Alliance Gets a New Leader

Harlem Arts Alliance Presents: On the “A” w/Souleo

R&B singer, Kenny Lattimore is ready for a change. The vocalist recently launched his own label, SincereSoul Records, having inked a distribution deal with EMI Label Services in conjunction with Capitol Records to release his new album, Back 2 Cool. This marks the first time in Lattimore’s over 20 year career that he hasn’t been signed to a major label and it’s making him more confident than ever. “For years I been a person who has been flexible to other’s opinions and ideas,” he says. “But at this stage in my life and career I have embraced the fact that I know what I am talking about. I been out with my audience long enough to understand our connection and what they expect of me. Those elements make you fearless.”

It takes courage to open a new lounge in the current economic climate but that hasn’t deterred, Alyah Horsford-Sidberry. With the debut of Cove Lounge on Harlem’s Lenox Avenue strip, Horsford-Sidberry hopes to not only provide a sophisticated environment replete with drinks and food, but she also wants to support Harlem’s cultural community. “I have a passion for theater and the arts and I want to showcase different artists and have art exhibits. Old Harlem is where people came to hear good music and see fresh live entertainers so that’s where I want to go with that,” she says.

When it comes to showcasing Harlem’s artistic community few events cover as much ground as Joyce Adewumi’s “Celebrate Diversity, Celebrate You Festival.” The event held its third annual presentation this past weekend and featured music, dance, salsa, poetry and local politicians such as Congressman Charles B. Rangel. Rangel made a commitment to help make next year’s event an even greater success. “Next session I promise you to bring diplomats from all over the city and at the United Nations. I’ll ask them to come to spend an afternoon with us,” he promised. “They have so much to learn from us and we have so much to learn from them. Each one is gonna get bigger and bigger.”

This week the New York Public Library (NYPL) will get bigger, hair that is, with the arrival of “Styled by Literature,” at Seward Park Library. The event which is produced by Souleo Enterprises, LLC will feature free makeovers by drag queens and style advice from Mr. Mickey, Paper Magazine editorial director.

Finally, after four years at the helm of Harlem Arts Alliance (HAA), Michael Unthank has stepped down as the organization's Executive Director this past Monday June 4th. The Board of the Harlem Arts Alliance in accepting Unthank's departure said, "He has provided invaluable leadership in generating high awareness of HAA as an important voice in the arts and culture community in New York and throughout the tri-state area."

Under Unthank's stewardship HAA's membership has increased 100% to over 1000 members and associate members this year. At the same time, HAA's expanded service offerings including the Arts Development Seminar Series, Harlem Community Arts Fund, (small grants program funded by the Upper Manhattan Empowerment Zone), HARLEM WEEK, (supported by The Greater Harlem Chamber of Commerce), and the highly successful Harlem Arts Advocacy Week, now in its sixth year, have found support from a broader base of public and private funders. Jewel Kinch Thomas, former Executive Director, Riverside Theater, will serve as the interim Executive Director of Harlem Arts Alliance.

In the words of Rangel, things can get only get bigger from here on out for Unthank, HAA, NYPL and Harlem’s overall artistic community.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com 

The New York Public Library Celebrates Pride Month and the Arts

Harlem Arts Alliance Presents: On the “A” w/Souleo

The concept of a library is undergoing a national transformation from silent reading zones to engaging educational cultural hubs. Reflecting that new mission is the New York Public Library (NYPL) and Souleo Enterprises LLC, (full disclosure: the writer’s company) 2012 summer adult LGBT, financial literacy and artistic/cultural programming. The ambitious series of 28 events begins June 2^nd with a special pop-up performance of the hit off-Broadway play “Growing Up Gonzalez,” at Inwood Library; a June 4^th Tompkins Square Library panel on LGBT hip-hop with cultural critic, Greg Tate, CEO of Digiwaxx Media, Corey “CL” Llewellyn, recording artists Go DDm and Baron. On June 5^th, the National Comedy Theatre presents an LGBT Pride Month improv special and on June 7^th, NYC’s top drag queens give free literary inspired makeovers to library patrons while Mr. Mickey, Paper Magazine editorial director, offers style tips. The full schedule can be viewed here.

The New York Public Library isn’t the only institution looking to the future. Harlem Stage recently hosted their 30^th anniversary with the “Looking Back, Moving Forward,” Spring Gala. Harlem Stage Board President, Tamara Tunie expressed great excitement for the upcoming debut of the commissioned work, “Makandal,” which is described as a visual collage integrating art, dance, music and song. For jazz legend, Jon Hendricks—who is finishing up his vocalese tribute album to Miles Davis’ Miles Ahead classic—the future of Harlem Stage will require established artists donating their time.

“It is a social responsibility. We shouldn’t think of a place like this to make our money. We should think of a place like this to donate our performance after we make our money elsewhere,” he says.

Generating revenue and promoting the spirit of collecting art was the goal at, “An Evening of Collectors,” presented by The Bedford Stuyvesant Restoration Corporation's Skylight Gallery and the Weusi Artists Collective. The event included the works of legends such as Otto Neals, Ademola Olugebefola and Dindga McCannon along with specially selected artists like Aleathia Brown auctioning their work starting at bids below market rate. As McCannon noted, the mission of the auction was to motivate people of color to collect art.

“As Black artists to keep culture going we have to sell our work to our own people. One way of doing that is making some part of each artist’s collection is affordable,” she advises. “Most art work does appreciate in value so it can help your pocketbook or your children’s pocketbook.”

You can’t carry a pocketbook without a stunning pair of shoes and the latter was featured heavily in the Daniel Beaty play, “Mr. Joy.” Inspired by a true story, Beaty’s one-man show explores community issues after Mr. Joy, a Chinese American immigrant and shoe shop owner is murdered. After watching his skillful performance presented by the Riverside Theatre and New Heritage Theatre, Beaty noted what he believes to be the main causes of breakdowns within communities of color. “I think stereotypical ideas, sometimes not being willing to talk about difficult conversations and the history of slavery and legacy of disenfranchisement. So the characters endeavor to explore those reasons.” Beaty plans to take “Mr. Joy” on tour and is working on a tribute play to Paul Robeson.

From the New York Public Library summer programming to the upcoming works by Harlem Arts Alliance members, there are many reasons to look forward to a summer of exciting arts/culture events.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

Mashonda Gives Back and Keeps Her Eye on the Reality TV Craze

Harlem Arts Alliance Presents: On the "A" w/Souleo

Not even superstar, Beyoncé could overshadow the legacy of Harlem television news legend, Gil Noble at the New York Association of Black Journalists 24th Annual Scholarship & Awards Banquet. Reporters, tastemakers and celebrities converged at the The Malcolm X & Dr. Betty Shabazz Memorial & Educational Center to celebrate the late, Noble and those who honor his legacy.

"Gil Noble told the stories that weren't in publications in other cities or throughout the country and we need to take that away from his legacy," says NYABJ President and NY Daily News writer Michael J. Feeney. "Because of Mr. Noble I get an opportunity every day to tell the story of struggling business owners in Harlem who can't afford a rent increase or of those in East Harlem who want to have a bookstore."

R&B singer-songwriter, producer and Harlem native, Mashonda could definitely write a book based on overcoming struggles in both her personal life and the entertainment industry. While she did allude to the possibility of working on a memoir soon, she is devoting time to giving back to youth as a spokesperson for, Used To Be Me, a not for profit that aims to use the arts as an outlet for youth to address their challenges.

"Used To Be Me, is something we put together for young adults and they get to tell their stores through music and poetry. It's something to give them inspiration to get to that next level in life," she says.

Mashonda isn't only advocating for youth through her community service work, but also by rallying against controversial portrayals of women of color on TV as found on reality TV shows.

Guests were watching and listening with keen interest to the warm and smooth vocals of vocalist, Daralyn Jay and her trio at, Pera Mediterranean Brasserie. As an independent singer, actor, writer and dancer, Jay has developed a growing fan base on her own terms and she advises other artists to do the same. "You always want to be the one to receive opportunities, work your contacts and be versatile," she advises. "I had people tell me to choose between acting and singing but I refuse. It's that versatility that keeps me working and it allows me to be discriminating about the jobs I pursue."

Jay would have fit in quite well performing in The Allen Room at Jazz at Lincoln Center for its tribute show "Cy Coleman: Bringing Jazz to Broadway." The event was part of their jazz and popular song series and featured Tamara Tunie, Chuck Cooper, Michele Lee and Johnny Rodgers. The next event in the series is "Sweet & Low Down: How Popular Standards Became Jazz Classics," June 5^th-6^th.

You might also want to consider Gertrude Jeannette and The H.A.D.L.E.Y. Players' final show of the season, "This Way Forward" by Ms. Jeannette. The story takes place on a large farm owned by a very proud and very independent close knit Black family as they grapple with one major issue that threatens to divide and dismantle their very existence.

Like Noble, The H.A.D.L.E.Y. Players are known for telling powerful stories that need to reach a wider audience and this one promises to follow suit.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

Toni Braxton Helps Celebrate Dance in Harlem

Toni Braxton - photo by: Christopher Duggan

Harlem Arts Alliance Presents: On the “A” w/Souleo

It’s easy to forget that pop music simply refers to what is popular at the moment whether it is disco, rock and roll or most recently, hip-hop and dance music. SESAC, the nation’s fastest growing performing rights organization honored those who have made an impact in the pop soundscape at its annual Pop Music Awards. While there was much reason to celebrate there were also concerns expressed over the state of pop.

Songwriter of the Year winner, Rico Love advises artists seeking mass appeal to be careful about how they promote their image. “If the attention you’re seeking is not to glorify music or build brand you look like an asshole,” he says. “Make it about the music and the quality of who you are.” Love’s statements are especially significant in a state of pop where it seems you need either a sex tape or a stint in rehab to gain exposure.

When it comes to pursing a larger platform in the pop market many artists forsake genres such as jazz, funk and even, R&B, something which concerns, Trevor Gale, SESAC’s Senior VP, Writer/Publisher Relations. “It is unfortunate that jazz and other genres of music don’t get the same notoriety and publicity as pop but it doesn’t take away from the fact there are still amazing artists out there creating all genres of music. I have faith that the music always rises,” he notes.

Doing its part to help jazz music rise to the forefront once again is the second annual Harlem Jazz Shrines Festival presented in partnership with Apollo Theater, Harlem Stage and Jazzmobile, with support from Columbia University. Highlights from the festival included bringing the famed, Minton’s Playhouse back to life with a celebration of Charlie Parker, Thelonious Monk, Max Roach and more and late night jam sessions at Showman's Jazz Club. The present and future of jazz were also recognized at the Harlem Stage Gatehouse where drummer Terri Lyne Carrington created a fusion of music with Lizz Wright, Nona Hendryx, Tia Fuller and more.

Listening to so much jazz can make one want to swing and dance. Fortunately attendees had the chance to do just that at the 10^th Annual Ailey at the Apollo gala. Singer, Toni Braxton served as the honorary event chair which was an odd and surprising choice since Braxton obviously doesn’t dance. However as she noted her latest single “I Heart You,” is a foray into the dance music arena. “Trying to do a dance song is kinda fun. I am not a dancer by trade but as a performer there no avenues for us and this helps the kids do their craft,” she says.

 

The craftsmanship of visual artists is currently on display at the “Four Brooklyn Artists” exhibition at Berkeley College. Curated by Robert Keiber, the show features Harlem Arts Alliance member and Culture Crashers mentor, Leon Nicholas Kalas along with Mary Chang, Norma Lithgow and Dr. Rudy (Kofi) Cain. It may not be pop and you can’t dance to it but it’s still art.

.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

 

Club Music Legend, Martha Wash Changes Direction for Upcoming Album

Harlem Arts Alliance Presents: On the "A" w/Souleo

 

Sometimes you just can't get enough of a Pub. Wash immediately got the house grooving with her dance music classics including "Gonna Make You Sweat (Everybody Dance Now)," "Everybody, Everybody," and the timeless, "It's Raining Men." Yet it was the fan-favorite ballad "Take Away Your Space," which alluded to Wash's new direction in music.

 

On her forthcoming untitled album, Wash plans to record more ballad driven inspiring songs such as, "It's My Time," and "I've Got You," both of which she performed during her concert. "voice as rich and powerful like that of unsung legendary talent, Martha Wash. This past week the former back-up singer for Sylvester and one-half of the Weather Girls with Izora Rhodes, delivered an all too brief but powerhouse set at New York City's Joe's The new album is about messages of love and inspiration and to keep positive thoughts," she says, "It is a struggle to maintain everyday life and we need to spread more love around."

For listeners who still want to hit the dance floor, Wash promises that there will still be something to shake to. "It seems like I am kinda moving in a different area but there is always remixes, right?"

 

Hoping to remix Broadway's audience is Impact Broadway, a youth audience development program, co-founded by Harlem Arts Alliance (HAA) board member, Donna Walker-Kuhne and Cherine Anderson. The program hosted its spring fundraiser event at Harlem's Chocolat Restaurant Lounge featuring performances by youth, Tony Award-winner, LaChanze (The Color Purple) and poet/playwright, Will Power. While Walker-Kuhne acknowledges that Broadway is finally beginning to diversify she notes that there needs to be a greater marketing effort targeted to communities of color. "Sometimes there is the assumption that a play with Black people means we automatically come running, but we want to be courted like everyone else and we have to advocate that the plays have integrity."

 

Developing audiences is a similar goal for the new initiative, Art in Flux, which was founded by HAA member, Leanne Stella. The innovative project, which occupies vacant retail spaces in Harlem to present pop-up art galleries, debuted with the "Urban Environment Project," curated by Mariano Cinat. While viewing the impressive works of Leslie Powell, Tafa and other artists, Stella expressed the vision of Art in Flux. In addition to offering a space for emerging artists and engaging the community, she hopes that the concept of her program will become a contributing factor to Harlem's growing commercial development. "We are drawing attention to empty retail spaces. Since we've been here there has been interest in the spaces for a wine bar or a coffee shop. So one activity spurs the next activity" she says.

 

When it comes to enriching the village of Harlem-whether it is through Wash's music, Impact Broadway or Art in Flux-well, that's one thing you surely can never get enough of.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

Actress Nicole Ari Parker Stuns in

"A Streetcar Named Desire"

Harlem Arts Alliance Presents: On the "A" w/Souleo

 

Sometimes it takes a fake to keep it real. At least that was the impression left after the drag extravaganza, "Fabulous Fakes," presented by Mary Flowers Entertainment and held at the Apollo Theater. In a glitter packed show, celebrity impersonators paid tribute to some of the world's favorite legendary and upcoming divas such as Patti LaBelle, Mary J. Blige and Adele.

During the show comedian and host Flame Monroe revealed that the Apollo's weekly "Amateur Night" is seeking a new host to replace current emcee, Capone. By the end of the entertaining evening, audience members were hoping that the hilarious Monroe would be a candidate for the position.

One person that should be in the running for a Tony Award is Nicole Ari Parker for her captivating performance in the revival of Tennessee Williams' "A Streetcar Named Desire." Parker manages to steal the show in a solid cast including Blair Underwood, Daphne Ruben-Vega and Wood Harris performing to a thrilling jazz score by Terence Blanchard. Admittedly Parker hasn't had much opportunity to flex her acting muscle in her previous works but here she is a revelation full of humor, vulnerability and pain. What a relief it was to have such standout performance in an otherwise overlong and way too melodramatic play.

There was a different kind of drama being served at the "Inspired in NY" event at Tian at the Riverbank. The event honored Essence magazine editor-in-chief, Constance C.R. White, TV personality, Phillip Bloch and music industry mogul, Kevin Liles. Camille Evans, founder of "Inspired In NY" proudly announced that Dionne Warwick has united with Thuli Dumakude of the Thembalethu Beaders and legendary models Maria McDonald and Sandi Bass to launch a global campaign to bring awareness to women's rights and the fight against HIV/AIDS.

Women and men in the entertainment industry face a different kind of fight; protecting their intellectual property. One organization that aids in resolving those issues includes The Black Women in Entertainment Law Foundation which hosted its annual fundraiser and honored Debra L. Lee, chairman and CEO for BET. Prior to the event founder, Lisa Bonner noted why creative talent should avoid using online legal services especially to trademark. "I don't know anybody who used Legal Zoom successfully to do any type of trademark," she notes. "95% of the trademark applications are kicked back and at that point you have to go back to a lawyer." If a legal representative is out of your budget, Bonner recommends the organization, Volunteer Lawyers for the Arts.

As Bonner notes, there's nothing like the real thing...just make sure you don't tell that to the cast of "Fabulous Fakes."

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

Esperanza Spalding Aims to Free the Slaves and the CULTURE CRASHERS Debut

Harlem Arts Alliance Presents: On the “A” w/Souleo

When one has been given a platform to reach millions of people across the world it helps to have a message to maximize one’s impact. Such is the modus operandi for jazz songbird, Esperanza Spalding. During her VIP World Tour dress rehearsal she previewed her set list for her upcoming tour and plans to donate tour merchandise sales to the organization Free the Slaves, in an effort to help eradicate modern slavery. For Spalding it’s all about using her buzz wisely.

“We are going to squeeze every juice we can out of this hype while we have it,” she says. “There are more slaves today than there ever were and that’s shocking. Free the Slaves works with the community to break the cycles of poverty so they have options and don’t fall back into slavery.”

Although Spalding has no scheduled tour dates to pass through Harlem, individuals can still donate to the cause here.

While he may not be lending his name to fighting slavery, iconic vocalist, Jeffrey Osborne is supporting the rebranding efforts of the legendary Soul Train brand. Osborne joins a stellar line-up which includes Patti LaBelle, The O’Jays and more to kick off the first ever Soul Train Cruise in February 2013. Taking a cue from the reinvention of Soul Train, Osborne revealed plans to release his first ever collection of jazz standards. For the covers album he is collaborating with the legendary George Duke and expects to have it released before year’s end.

“George Duke and I are slated to do a project of jazz standards like ‘My Funny Valentine’ and ‘When I Fall in Love.’ I’ve always wanted to do that my whole career. Most times companies wanted original material but I can do what I want to do now,” he says.

It’s all about giving the youth opportunity to do exactly as they wish through CULTURE CRASHERS, the youth initiative created by Souleo Enterprises, LLC (full disclosure: that’s me) and presented in partnership with the Harlem Arts Alliance. The project mentors youth in all creative areas and then books them as opening and intermission acts for various venues throughout the New York City area. CULTURE CRASHERS made their debut this past week at the Harlem Arts Alliance’s Quarterly Evening Meeting and received high praise for their performances which included 17-year-old jazz guitarist and singer-songwriter, Solomon Hicks, 14-year-old playwright, actor and visual artist, Aliou Abdussami and 15-year-old musical theatre performer, Georgie Exinord.

Attendees were so impressed that the cast of the hit off-Broadway play “Black Angels Over Tuskegee,” invited Abdussami for a backstage meet-and-greet and all of the CULTURE CRASHERS received booking offers on the spot to perform at several upcoming events. Overall it was an inspiring start for a program just barely 2 months in existence.

CULTURE CRASHERS is currently holding auditions to enroll more youth; seeking the support of rotating mentors to donate whatever time they can give; as well as venues/events interested in booking the youth for opening or intermission performances. The mission is to provide youth with a platform like Spalding to promote a cause and like Osborne to have the opportunity to follow their true passion.

For more information on CULTURE CRASHERS please contact: info@souleouniverse.com and admin@harlemaa.org.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

Soul Legend, Lenny Williams is Still Here

Harlem Arts Alliance Presents: On the “A” w/Souleo

 

If you were to ask soul legend, Lenny Williams what makes the difference between those who stay in the game of life and those who are led astray he’d probably answer: love. While promoting his forthcoming new album, “Still in the Game,” Williams noted how love has motivated him to continue making music.

“The love I have for my wife; wanting to impress her, have her feel secure and the love she has for me makes me want to do things,” he says.

Those ‘things’ not only include releasing a new album. Williams is transferring the love he has into his community by developing programs to address youth issues. One of the most important projects he has undertaken involves promoting the creative arts, which is in alignment with the mission of the Harlem Arts Alliance.

“It’s heartbreaking to hear of cutbacks in music programs with the arts. So I work with Keep the Music Rockin’ Foundation. Sheila E. gave us $11,000 and $25,000 in brand new equipment,” he says. “Love is what inspires you to volunteer to do those things.”

When it comes to love soul chanteuse, Alice Smith sings about it with a palpable fiery passion. Before a sold out crowd at City Winery she debuted five new songs from her forthcoming untitled EP. Backed by just a drummer and keyboardist she commanded the stage with the sharpness and clarity of her voice, endearing stage presence and stirring songs such as “Cabaret,” “Dream,” “Be Easy,” and her cover of Cee-Lo’s “Fool for You,” which nearly bests the original. Watching Smith receive a standing ovation at the end of her set made one thing clear; she deserves a much larger platform. Granted she has only released one album in 2006, but if the music industry has any justice then Smith will soon reach even greater heights.

Hoping to rise to the top of the film industry are several emerging filmmakers presented at the 19^th New York African Film Festival. Before a packed audience, Andy Amadi Okoroafor presented his film, “Relentless” starring recording artist, Nneka. While the film left some in a state of confusion, others applauded it for its ability to present a different perspective of Africa. The latter view was held by the festival’s executive director and founder, Mahen Bonetti.

“In Africa, anyone under 25 has only known warfare and they have to start from scratch and that’s not a bad thing,” she states. “With this generation in films these are kids refashioning what it means to be African. The 21^st century is ours for the taking and that is the homecoming.”

If creative Harlem based and worldwide talent like Smith and Okoroafor want to truly make a lasting impact they should consider Williams’ approach and stay put in the game.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

 

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

 

Lonette McKee Plans to Bring "Sparkle" Reunion Tour to Harlem

Harlem Arts Alliance Presents: On the "A" w/Souleo

 

The story of talented individuals from Harlem pursuing their dreams plays itself out every day, which is why the 1976 film "Sparkle" still resonates with modern audiences. Lonette McKee, who played Sister in the original film, knows this and that's why she's planning a live reunion tour with the original leads from the classic to coincide with the remake's release.

 

"The original people from 'Sparkle' all have been in touch and agreed it's the perfect time for a live concert version. So we all are gonna reunite and start doing 'Sparkle' concerts," she reveals.

 

Don't expect the tour to kick off in McKee's hometown of Detroit, Michigan. McKee, who now resides in Harlem, wants to launch it in the Black Mecca.

"I am more at home up in Harlem in New York than I ever was in Detroit so this would be the place to kick this concert off."

In addition to producing the "Sparkle" tour the Tony nominated veteran teaches acting workshops at City College of New York. On April 24^th, at Aaron Davis Hall she will debut the theatrical production "An Evening of Scenes," featuring her students, which she directed and produced.

McKee isn't the only one still dreaming big and reaching her goals. 14-year old playwright, actor and visual artist Aliou Abdussami is also on his own a path of success. Abdussami is a member of Culture Crashers, a creative arts youth initiative presented by the Harlem Arts Alliance and Souleo Enterprises, LLC. This past week, his work was displayed at The Children's Storefront 9^th Annual Men's Mentoring Art Exhibition. For Abdussami it's just one more step toward fulfilling his vision. "My dream is to combine computers and technology with my passion for acting, visual arts and writing," he says.

 

Combining classic songs and musical theatre has produced an off-Broadway hit for Dorothy Marcic with "Sistas: The Musical." The feel good musical reveals the struggles and triumphs of a group of women of color through songs ranging from Bessie Smith's "'Taint Nobody's Business If I Do," to Mary J. Blige's "Just Fine." As the show's director, Kenneth Ferrone notes the production serves as a valuable reminder of the power of lyrics.

 

"The Motown songs we do are so much a part of popular culture that you know the tune and hook, but I never completely actually heard what I was listening to. This makes you listen to the lyrics more than you ever did."

Those who see "Sistas," will also get a chance to focus on the words of Erykah Badu's "Tyrone," which is one of the featured musical numbers. Meanwhile at the launch of Hennessy's Wild Rabbit campaign there were a few other words of wisdom Badu shared, particularly regarding pursuing one's own creative path.

 

"Everybody has someone they look at and say 'I'd like to be like.' But you have to live your dreams not somebody else's," she advises. "I tell artists do it with honesty, be true to your art and don't allow anything to infiltrate, it not even you."

Now that's a recipe for making dreams not only come true but stay true too.

 

Note: For tickets to McKee's "An Evening of Scenes," please call Jennifer Robinson at 212-650-7395.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

Female Rappers Like Azealia Banks Need Mentors and Harlem May Get an Ice Skating Rink

Harlem Arts Alliance Presents: On the "A" w/Souleo

 

A few positive words of encouragement were all it took to brighten the faces of the young women at the Petals-N-Belles' LIMITLESS 2012 one-year anniversary. Witnessing that moment was a testament to the vision of founder, Damali Elliott whose organization provides year round mentoring programs programs for participants". During the event held at Greenhouse, attendees reflected on the mentors who helped them succeed in life.

 

While host, Rocsi Diaz noted admiring women such as Oprah Winfrey, Ellen DeGeneres and Jennifer Lopez it was BET executive, Donna Anderson who made the greatest impact on her. "Donna Anderson has helped me realize that my purpose may be greater than I had ever imagined. She has encouraged me to be an advocate for young people," she says.

 

The plight of young women is also what drew event chair and ESSENCE Magazine Editor-at-Large, Emil Wilbekin to the organization. "Young black girls are under fire right now and the media is against them. So to connect professional women who made it with young girls is really important."

Apparently others agree as the event successfully raised over $10,000. Raising money was also the goal for the Figure Skating in Harlem benefit gala held at Wollman Rink in Central Park. Now in its 15^th anniversary season the organization, founded by Sharon Cohen empowers young girls by combining educational, artistic and fitness opportunities through the discipline of skating. The iced carpet featured a surprise appearance by Diana Ross in support of her daughter and one of the evening's honorees Rhonda. While walking in ice skates, Cohen revealed that a permanent indoor ice-skating rink might be coming soon to Harlem.

"We have our stakeholders ready to go once we find a space. Upper Manhattan deserves an indoor space for the whole community and we hope to accomplish that in the next three years," she says.

 

One of the most exciting occurrences over the past three years has been the resurgence of the female rapper including Harlem's rising artist, Azealia Banks. The Source magazine has noticed the shift and celebrated with a "Women in Hip-Hop" panel at The Malcolm X & Dr. Betty Shabazz Memorial & Educational Center. Moderated by Ilyasah Shabazz, the gathering included stylist Misa Hylton Brim, radio personality Steph Lova, DMX's wife Tashera Simmons and Source Editor-in-Chief Kim Osorio. One of the main topics addressed was the perceived lack of mentorship and camaraderie between females in front of and behind-the-scenes in hip-hop.

"Younger women don't feel that camaraderie 'cause it is competitive and they're vying for the same spot. I was competitive too but as you grow older you mature," states Osorio on the subject.

 

Still not everyone reaches the same level of enlightenment as Osorio, which is why mentorship from an early age is so vital. For those considering becoming a mentor you might want to heed the words Bevy Smith delivered at the Petals-N-Belles event.

 

"There are many ways to mentor without it being formalized," she advises. "When you talk to a young person on the street you mentor them. When you expose them to something great you mentor them."

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

 

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

 

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

 

 

Broadway Star Chester Gregory Talks Color on the Great White Way

Photo credit: Walter McBride, Retna LTD

Harlem Arts Alliance Presents: On the “A” w/Souleo

 

The Great White Way was given a dose of black magic this past week during the Apollo Music Café’s “Black Magic: A Broadway Cabaret.” The evening featured the stellar talents of Tony-award winner Lillias White (“Fela” and “Chicago”) and Chester Gregory (“Dreamgirls” and “Sister Act”) performing songs that were made famous by black entertainers on Broadway. The timely event arrived in a season where there is a surge of African-Americans on Broadway in productions such as “Porgy & Bess,” “Sister Act,” “A Streetcar Named Desire,” “Magic/Bird,” and the recently closed, “The Mountaintop.”

While Gregory welcomes the increased presence of diversity, he remains unsatisfied with the lack of people of color behind the scenes. “What I still long to see is more of us producing, writing and directing to share a more authentic experience for what it is to be African-American,” he says.

Gregory believes that promoting such change begins by nurturing the interests of youth in theatre. So if you happen to attend “Sister Act,” and mention that you’re a student chances are he will come and greet you with open arms. “I get excited when I see black folk and students in the audience. I go out and talk to them and let them know there is work for you here in this field behind the scenes.”

Heeding his own advice has recently found Gregory working on his own untitled theatrical project in collaborating with playwrights. However don’t expect Gregory’s play to debut on Broadway since he noted funding is a major challenge for many people of color in the theater world. Therefore off-Broadway and off-off Broadway is often rich in works from people of color including Katori Hall’s “Hurt Village” to Layon Gray’s “Black Angels Over Tuskegee.”

While much is discussed about the state of African-Americans on Broadway, the Latino community is largely overlooked. Therefore worthy of being added to the aforementioned list is the Felix Rojas’ “Growing up Gonzales,” at The Jan Hus Playhouse. The play is about the coming-of-age experiences of two brothers in the Puerto Rican section of the Bronx. According to Rojas the Latino community faces a slightly more complex challenge when it comes to increasing visibility on Broadway.

“People think if it's a play about Latinos all Latinos can relate to it. That's not the case,” he reveals. “Mexicans will support Mexican theater, the Spanish will support theirs and our cultures are very different. African-Americans have done a great job creating an audience for film and theater. The African-American community is a lot less complicated than the Latino community.”

Rojas is focused on creating universal works with humor and pathos to help bridge such divides within and outside of the Latino community. “I know you can't give a crash course in the Nuyorican culture but I am a cultural ambassador to anyone who is open to one.”

If only the gatekeepers of Broadway would crack those doors even wider, then talented individuals like Rojas and Gregory would find an even larger stage where they can shine from Harlem to the Great White Way.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit:

www.harlemaa.org

www.souleouniverse.com

 

 Did Hip-Hop and Economics Ruin the Careers of Innovative Women Like Funk Legend, Betty Davis?

Harlem Arts Alliance Presents: On the “A” w/Souleo

 

There are few things more powerful than strong, fierce and bold women of color that challenge the status quo. This past weekend independent artist and entrepreneur, Nucomme paid homage to one such iconic figure in “Betty’s Story: A Tribute to Betty Davis.” The event, which was held at the Apollo Music Café, attempted to conjure the essence of funk innovator, Davis through song, dance and archival footage.

 

In a time when her male contemporaries such as her ex-husband Miles Davis, Jimi Hendrix and Sly Stone were receiving praise for their groundbreaking music and images, Davis fought to be accepted as a woman singing, writing and producing her own material. Much of that music featured sexual lyrics, social commentary and a defiant stance against conformity. It is this spirit of rebellion, which attracted Nucomme to the legend. “We both create our own path and always maintain integrity of what we want to do,” she says. “Betty was about the purity of her music and she struggled with that being a Black woman. She struggled for publishing rights and they banned her from radio but she continued to write music for people.”

 

While over thirty years have passed since Davis abandoned the industry, Nucomme notes that not much has changed politically for women in music. For Nucomme part of the fault lies with the popularity of hip-hop. “Not to bash hip-hop but it’s such a male dominated thing with very few females. All of the balladeers got lost in this new trend,” she says. Plus she notes that budget cuts to artistic programs in public schools are equally to blame. “The schools started cutting back so the actual art of instrumentation and showmanship got lost. But I’ve taken on the mindset of an independent artist. You have to build your own stage.”

 

From one stage to another is the Woodie King, Jr. New Federal Theatre presentation of “Court-Martial at Fort Devens.” The play held at the Castillo Theatre is set during World War II and tells the true story of the strike of African-American WAC’s (Women’s Army Corps) stationed in Massachusetts during World War II. The play documents their legal battle for equality after they are denied access to be trained as nurses and subsequently disobey orders due to racial politics. In an age where some complain of a lack of leadership in communities of color, this overlooked chapter in U.S. history is a strong reminder that social justice is not just one person’s responsibility.

 

“We have this idea that it’s a single leader who makes differences in history but it’s really two or three leaders who share the same goals,” playwright Jeffrey Sweet notes. “It’s the old argument of working within or outside the system. The point of the play is they are both right.”

 

From Davis to Nucomme to the women who challenged the segregated U.S. military; it is apparent that sometimes all you need is a few brave women that aren’t afraid to funk up the system.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

Entertainment Veteran, Ben Vereen Calls for Spike Lee and Tyler Perry to Join Forces

Harlem Arts Alliance Presents: On the “A” w/Souleo

Legendary talent, Ben Vereen is not a happy man. The state of dissatisfaction was apparent during his presentation at Harlem’s City College of New York Aaron Davis Hall. Before an enthusiastic crowd he delivered a lecture on race, politics and the status of African-Americans in Hollywood. It is this latter issue, which revealed his frustrations at reality television, which he declares as the new blackface minstrelsy.

“Reality TV is the new blackface and making us look like buffoons,” he says. “Ever since [President Barack] Obama was elected we been getting less and less roles. They will continue to do that if we don’t say anything. We do not stand behind our artists who are there for us to express our truths.”

Whenever there is any discussion on the topic of people of color in Hollywood the names Tyler Perry and Spike Lee are bound to emerge. Despite their rivalry, Vereen believes that the two must make amends in order to create richer opportunities in Hollywood for those of color. “I want to say Spike take the brother [Perry] aside. Don’t go to the press. Support the brother and encourage him to do more artistic work in our vein that we need done.”

If more color is what Vereen is seeking perhaps he would have appreciated Harlem’s newest art salon, Knox Gallery for their “Women of Colours” exhibition. The installation, curated by Omo Misha, featured the intriguing works of Grace Williams, Ruth L. Leal and six other female artists exploring themes of history, culture and self-image. During the exhibition’s closing reception, the gallery’s creative director, Al Johnson explained his vision for Knox. “What we are trying to do is introduce the Harlem community to the best of our culture,” he states. “We want to cater to our valued collectors and make them feel comfortable to experience art as a life force without interference.” Johnson also revealed that he received major political endorsement for his painting of groundbreaking politician, Shirley Chisholm to become the official U.S. postage stamp in honor of her, set to debut by 2013.

Chisholm wasn’t just a political force. She was also a style icon known for big hair and bold graphic prints. And, it was style that was on the minds of Harlemites during the latest Harlem’s Fashion Row “Conversations,” event. At the Schombugh Center for Research in Black Culture, founder and CEO of Harlem’s Fashion Row, Brandice Henderson engaged in a discussion with Steven Kolb, CEO of Council of Fashion Designers of America. Throughout the talk there was a missed opportunity to challenge Kolb regarding the lack of diversity in the CFDA membership and overall fashion community. Finally, when he did address the issue he stated, “We are 400 designers and a pretty white organization. It’s obvious but not intentional. Anybody can become part of the CFDA. It’s having perseverance and believing in yourself and presenting yourself. That’s the success of any designer no matter what or whom.”

While Kolb’s statement possesses truth, the limited representation of Harlemites and people of color in fashion and various other industries deserves a more thorough analysis. If Vereen were in attendance he might have left with an even deeper frown on his face.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org

For more information on Souleo please visit: www.souleouniverse.com

A Call to Action from Bill Cosby and the Beauty of “Dark Girls”

Braxton Cosby, Marva Allen and Bill Cosby

Harlem Arts Alliance Presents:  On the “A” w/Souleo

And so, I was having one of those intensely productive weeks where sleep escaped me as I struggled to unplug the inspiration feed from my higher power energy source. I ended up with a wealth of new writing ideas and dark circles under my eyes. Needless to say I didn’t look my best as I headed to Bill Cosby’s book signing event at Hue-Man Bookstore for “I Didn’t Ask to be Born (But I’m Glad I Was).”

While Cosby was there to promote his book the discussion quickly became much more profound as he addressed the state of youth. “This book will make you fall in love as opposed to go straight for what you hear on records, ‘I’m wet, you’re wet, lets do it.’ Where are we with that and what’s the problem with that in the ears of 14 and 13 year-old people?” It’s a sentiment that Cosby has made frequent headlines with but he notes that nothing will change until many more speak up and implement change. “It can’t be just Bill Cosby because when I say it everybody will jump up and say yes but nothing happens. We have an apathy going on,” he says. “Our children need us. We have to be aware of these things.”

As awareness and support grows for the African-American historical action movie “Red Tails,” I’d like to nominate the independent documentary “Dark Girls,” for equal visibility. The powerful film examines the ever-present issue of colorism within the U.S. and abroad. During the post-screening Q&A at the Apollo Theater a young woman asked filmmakers, Bill Duke and D. Chansen Berry how could she start to feel beautiful? Duke and Berry focused on the need for family and the community to instill confidence in youth no matter their skin color. While they are absolutely correct, I walked home pondering how someone without such positive role models in their immediate surroundings could develop self-esteem.

The answer came unexpectedly while interviewing artist, Aleathia Brown at her reception for “A Textural Journey” at Berkeley College. Brown’s works on burlap, canvas and mixed media are insightful representations of freedom, struggle and beauty particularly in, “Moods of Nature,” a colorful sculpture depicting women of color merged with elements from the earth. Brown revealed how she integrated beauty in an exhibition that references such painful topics as slavery. “You have to be still and silent with your own thoughts to measure what goes on outside and inside.” Instantly it clicked and I forgot all about those dark circles that were deeper after only four hours of sleep, making me feel nowhere near attractive. Apparently, we can all find beauty if we take the time to discover ourselves, disconnect from the negativity around us and embrace arts and culture that empowers. And yeah, sleep helps too.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

This article is courtesy of our partner The Harlem Arts Alliance

****

The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment in Harlem and the greater NYC area.

For more information on HAA please visit: www.harlemaa.org 

For more information on Souleo please visit: www.souleouniverse.com 

Harlem Arts Alliance Presents:  On the “A” w/Souleo

I love to eat and food is my favorite part of the holidays. There are events that I will only RSVP for so long as there is free food and drinks, the option to take home a doggy bag is a bonus. Still the promise of food was not necessary to get me to accept an invitation, along with creative artist Beau McCall, to the home of legendary jazz figure, Jon Hendricks. 

Mr. Hendricks has been working on a range of projects including a vocalese cover of Miles Davis’ “Miles Ahead” album, a memoir and a choir book. The latter two projects are the results of not only his passion but also his newfound business acumen. “I am an artist but I’m beginning to think like a businessman ‘cause I just turned 90,” he says. “When you’re selling something you have to find your market and I know I got the market.” In order for icons like Mr. Hendricks to deservedly become household names they need to extend their brands, preferably without yet another reality show.

What I couldn’t help getting another one of was the assortment of cheeses and a scoop of the flavorful homemade cranberry sauce, which the lovely Mrs. Judith Hendricks provided for us. As I scoffed down the hors d'oeuvres, Mr. Hendricks shared his thoughts on the state of jazz. “It is in terrible shape. There is no cultural awareness. I’ve heard jazz radio without one Duke Ellington or Fats Waller record. They are playing only the newest guy,” he notes.

Mr. Hendricks expressed his hopes that Jazz at Lincoln Center will develop an orchestra of senior jazz musicians to help balance the commentary scene. Plus he is even willing to tour with such an orchestra once it is developed. “These cats from Lionel Hampton and Duke Ellington’s band are brilliant. They should be put in an orchestra and put to work playing.”

Another institution that Mr. Hendricks holds to high standards is The National Jazz Museum in Harlem. Mr. Hendricks believes that the museum’s forthcoming expansion will increase the public’s awareness of jazz. “It’s gonna make a lot of people aware of something that’s been right under their nose all the time but which they never were.”

Placed right under my nose was a warm and toasty apple strudel. I immediately reached for it, my plate already full. Yet it was Mr. Hendricks’ plate that fascinated me with his abundance of projects, ideas and plans. I asked him how he manages to do it all at his age to which he replied, “I am interested in life itself, the universe and knowledge. So my mind is always open.” With that, I took a bite out of my apple strudel, nodded my head and realized that having an insatiable appetite for food, art, culture and wisdom was all I would need to be as engaged with life as Mr. Hendricks by the time I turn 90.

For more information on the Harlem Arts Alliance, visit www.harlemaa.org.

For more information on Souleo Enterprises LLC, visit souleouniverse.com.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

Harlem Arts Alliance Presents:  On the “A” w/Souleo

By Souleo/Souleo Enterprises, LLC, Media Content Producer

My worst Christmas memory does not involve realizing that Santa Claus isn’t a man of color born in Harlem or receiving a gift without the receipt for exchange purposes. Instead Christmas always manages to conjure the empty feeling of disappointment since in the third grade I lost the title role in “The Nutcracker” to my terribly misbehaved classmate. I was selected to be a mouse, not even the Mouse King! See, I’m still a little bitter which is why I was only marginally excited to attend “A New Holiday Revue” held at Jazz at Lincoln Center.

The always polished Jazz at Lincoln Center Orchestra with Wynton Marsalis reworked classic Christmas tunes into instrumentals, which complemented certain songs and made others almost unrecognizable. Marsalis was an amiable host full of witty banter. Uncharacteristically, gospel singer Kim Burrell appeared stiff and did not go all-out “church” on the sophisticated audience. She was decidedly restrained even on the soulful Donny Hathaway cut, “This Christmas.”

I don’t recall doing much dancing in “The Nutcracker” but if I did I wouldn’t have wanted the performers from Ballet Hispanico to join and upstage me. The company celebrating its 75^th anniversary made a safe but solid debut at the Apollo Theater with Arturo O' Farrill and the Afro Latin Jazz Orchestra. After two repertory staples, “Club Havana” and “Tito on Timbales,” the company premiered artistic director, Eduardo Vilaro’s “Asuka,” an homage to Celia Cruz. Vilaro’s work was notable for same-sex dance pairings and women dipping men. “It is important for me to gender role play,” Vilaro says. “There is nothing wrong with same-sex movement. Culture is not static and it evolves with the times.” Overall, the production could have benefited from more innovative moments to reach its full potential.

Later that evening I headed to Joe’s Pub for the birthday concert of rock soul ballerina, Kimberly Nichole. Nichole possesses a powerful voice which she whips, cracks, dips, spins and twirls in emotional fever pitches on songs such as “Disconnected,” her debut album’s title cut, “The Yellow Brick Journey,” and her cover of “Cry Baby.” As an independent female African-American rock artist, Nichole knows that gaining mainstream acceptance is a challenge but she is undeterred. “You rarely see black women doing rock music in mainstream, but we do exist,” she notes. “I can't focus on how many of ‘us’ are in a specific style or genre. Mainstream will catch on very soon.” After her set Nichole received a special birthday/Christmas gift from creative artist, Beau McCall. Nichole told me that she loves the present which is a bra designed by McCall adorned in his signature style of buttons, “I put it on and danced around my Harlem abode. It's perfect for the stage.”

Now that reminds me that I need to let go of my failed stage debut in “The Nutcracker,” embrace the holiday spirit and do some last-minute Christmas shopping around Harlem.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.

Harlem Arts Alliance Presents:  On the “A” w/Souleo

By Souleo/Souleo Enterprises, LLC, Media Content Producer

In some cases inspiration is a fluid, intangible and mysterious force. In other cases, inspiration comes ambling down the 125^th St. strip in Harlem sporting extravagant silver jewelry, two sets of headphones and what appears to be sprayed on electric blue hair. The latter occurred when the eye-catching appearance of a fellow named, O.G. sparked me to take his photo outside of the Apollo Theater’s “Coca-Cola Holiday Caravan.” As he tells it, “I have the blue hair because my sign is Aquarius and the water is blue. I am retired now at 65 and I’m upgrading myself.” You have to respect a man who is all about reinvention, no matter how, err questionable his style choices may be. What wasn’t questionable was the fact that those in attendance were having a joyful time with an afternoon full of lively interaction and a night of performances for a special edition of Amateur Night, “Apollo Stars of Tomorrow.”

From there I headed to the always hip and inviting Harlem Stage Gatehouse for Imani Uzuri’s “MOSAIC Sacred Music Extravaganza.” The evening’s promotional copy read, “MOSAIC is every bit as revolutionary as it is spiritual.” Spiritual, yes but revolutionary well, not quite there. Uzuri’s material and arrangements do not offer enough variation to live up to the potential of her dexterous vocal instrument. I so badly wanted to get sent to that place of nirvana but I had to settle for limbo.

Settling is not something that visual artist and writer, Danny Simmons does, especially when it comes to romance. At a reading held at the Skylight Gallery in Brooklyn he signed copies of his book Deep in Your Best Reflection, a collection of erotic poems written in 160 characters or less. The concept is Simmons’ reaction to today’s fast-moving digital age, which has taught him one secret to a healthy relationship in modern times. “People have so much information coming at them nowadays. You have to be creative and pay attention to your partner and what they want to do,” he advises.

At the C.M.E. Group’s wonderful “Inspired in New York” event held at The Faison Firehouse Theater, Anthony Hamilton (not in attendance) and the legendary Roberta Flack were presented with proclamations from New York State and New York City, while Mona Scott Young received hers solely from the latter. Flack informed me that current issues was her motivation behind covering the Beatles song “Let it Be,” on her forthcoming tribute album (which she had to somewhat forcefully remind the event producers to play). “The world is an uproar. When we are not sure of the direction we can mess it up,” she notes. “The bible says be still to decide what direction you have to take.” While Time magazine may be honoring the loud protester this year, Flack has a slightly different perspective that is provoking me to quietly reflect on how I can be an instrument of positive change. From blue hair to the words of a diva, inspiration is like finding a job in a recession; you never know where it’s going to come from.

Souleo Enterprises, LLC is the umbrella company that creates and produces entertaining, empowering and informative media and philanthropic projects by founder, Souleo.